A vintage fibreglass and resin composite 1:36 scale Concorde model in full British Airways Landor livery, mounted on a chrome-plated stand and produced in England by Executive Display Models, circa 1990.

This large display model represents Concorde, the Anglo-French supersonic passenger jet that redefined commercial aviation during the late twentieth century. Finished in the distinctive British Airways Landor scheme, the model captures the elegant delta wing form and sharply tapered fuselage that made Concorde instantly recognisable worldwide.

The underside is marked:

SUPPLIED BY
EXECUTIVE DISPLAY MODELS
NOBLE CORNER
GREAT WEST ROAD
HOUNSLOW MIDDX ENGLAND

Executive Display Models were known for producing high quality fibreglass display aircraft for airlines, travel agents and corporate environments. The scale and finish of this Concorde model reflect the period when supersonic travel was still regarded as the future of long distance aviation.

The full-size Concorde first flew in 1969 and entered commercial service shortly thereafter. Capable of cruising at Mach 2, approximately 1,350 miles per hour, regular transatlantic flights between London and New York were completed in under three and a half hours. In November 1986, a British Airways Concorde completed a round-the-world flight covering 28,238 miles in just under thirty hours.

Concorde was operated exclusively by British Airways and Air France. Developed by the British Aircraft Corporation and Aérospatiale, it represented the height of Anglo-French aerospace collaboration during the Cold War era. Although expectations in the 1960s suggested supersonic travel would dominate commercial aviation, only a limited fleet was ever produced.

Following the tragic Air France crash in 2000 and declining passenger numbers, Concorde was withdrawn from service in 2003, bringing an end to the era of supersonic passenger travel. Since then, original airline display models produced for corporate and promotional use have become increasingly difficult to source.

This Executive Display Models Concorde sits on its tripod stand, retaining markings and British Airways Landor livery, offering a substantial and well proportioned example of a late twentieth century aviation display model.

A carved Black Forest terrier ashtray dating to the early twentieth century, executed in the traditional Swiss carving style and full of character.

Modelled as the head of a terrier, the carving displays alert ears, deeply worked fur, and expressive inset glass eyes. The naturalistic modelling reflects the quality associated with skilled Black Forest woodcarvers, who were celebrated for their ability to bring animal subjects convincingly to life.

The top of the head is hollowed to form the ash bowl and retains its original brass liner, protecting the carved timber from heat while providing a practical surface. Pieces of this type were often placed within a gentleman’s study, smoking room, or country house interior, combining functionality with decorative appeal. Signed to the base Kanderstec which refers to a municipality in Switzerland and the origin of the carving.

Dog subjects were particularly popular within Black Forest carving, echoing loyalty and companionship while also allowing the craftsman to demonstrate technical control through texture and expression. Well preserved examples with strong definition are increasingly sought after.

This Black Forest terrier ashtray dates to circa 1910 and represents a confident example of early twentieth century Swiss animal carving.

English Boulle Sewing Box by Friedrich Ludwig Hausburg dating to circa 1840.

Formed in the classical sarcophagus shape, the box stands on four turned ball feet and is extensively decorated with brass and tortoiseshell boulle inlay. The cutting of the brass scrollwork is precise and confident, set against a rich tortoiseshell ground typical of Hausburg’s mid nineteenth century production.

The lid rises in a pagoda profile with brass edging. Each panel is worked with mirrored inlaid scenes of birds, foliage and flowers framed within scrolling borders.

The interior is faced in ebony with patterned centre stringing, a recognised detail of the workshop. The inside of the lid retains its inset mirror above a velvet lining embossed with scrollwork.

The removable upper tray remains complete with thick mother of pearl reels and lidded compartments, together with a glass bottle and a central tool pad fitted with scissors, pencil, pick, needle case, tweezers and bodkin. The tray lifts out to reveal further storage below.

A well preserved mid nineteenth century example retaining its original fitted interior and strong decorative inlay.

See more from our Sewing Box Collection.

From our Boxes collection, we are please to introduce this Stationery Carriage Companion by Asprey of London.

The Stationery Box finished in moroccan red leather with a slanted lid features two hooks to the rear originally for mounting on a carriage. A rare example in excellent condition, the stationery set features a window on front for telling the time and a pull out address book at the base. The interior is fitted with multiple partitions and a retractable mirror which opens on a mounting showing the mirror and a reading or writing pad. The rear of the box is signed in gold, Asprey London along with matching gold on the Address book label and the front pocket houses the removable pocket watch also by Asprey of London.

This carriage companion reflects the way wealthy individuals travelled during the Victorian period. Made for use in a horse drawn carriage, it provided a practical means of carrying personal items while travelling and is typical of the quality and workmanship associated with Asprey during the Victorian period circa 1870.

Green Colour Body

From our Barware collection, we are delighted to offer this Art Deco Master Incolor Green Cocktail Shaker.

The Cocktail Shaker a world famous icon from the Art Deco period with its Blue bakelite (moulded urea formaldehyde) tapered body, silver plated ribbed shoulder and lid with eight built in recipes on a turntable window. The lid can be removed and used as a ‘1 gill’ measure. A secondary lid is housed upon the pouring spout and is removed ready for pouring the desired cocktail. The hip of the flask can be unscrewed to fill the body with your favoured liquor before mixing which also contains has a removable strainer which sits on the bottom half of the body. The Cocktail Shaker is signed to the base Patents Pending 427237, The Master Incolor Cocktail Shaker, Made in England and dates to the Art Deco period and the first half of the 20th century circa 1935.

These original Master Incolor Cocktail Shakers were designed by Lawson Clarke for the english firm Wilson & Gill and were available in a range of six colours. Today they have become a collectable icon of the Art Deco era and are a rare accompaniment to any collection.

Unusual Model with Eight Fitted Glasses and Sterling Silver Mounted Decanters

From our Tantalus collection, we are pleased to offer this highly unusual and substantial lockable tantalus by George Betjemann & Sons, dating to the early twentieth century, circa 1937.

The tantalus is constructed in an exotic coromandel veneered case, fitted with silver plated corner mounts and a robust top carrying handle. To one side is the original Bramah locking mechanism, a hallmark of Betjemann’s patented designs, which secures the contents when engaged and releases the pivoting frame when unlocked. The ends of the case are stamped “The Tantalus, Betjemanns Patent 2149, London”.

When opened, the silver plated internal framework pivots forward to reveal a fitted interior housing three cut glass decanters and an unusually generous arrangement of eight matching drinking glasses, a rarely encountered configuration. Each decanter is mounted with a sterling silver collar, hallmarked for George Betjemann & Sons and dated 1937, confirming both maker and period.

The decanters are finely cut with a quilted diamond pattern, complemented by star cut bases and circular cut stoppers. They are presented alongside the glasses within a satinwood lined interior, providing both contrast and protection.

This is a particularly scarce Betjemann model, combining secure locking, silver mounted decanters, and a full fitted glass service, and represents a refined example of English luxury barware from the interwar period.

The Art Deco Tantalus comes complete with a fully working Bramah lock and tasselled key.

From our Barware collection, we are pleased to offer this complete Hunting Scenes Drink Set dating to the Art Decoperiod.

The set perfect for summer cocktails or lemonade comprises of six tumblers or glasses beautifully acid etched geometric squares with a centre band featuring an eglomised fox hunting scene with horses and riders, hounds and a fox amongst grassy outlines and foliage. The large hand blown decanter pitcher of matching design is finished with a large loop handle and pouring spout.

The Drinks set dates to the first half of the 20th century art deco period and is likely of bohemian Czechoslovakia origin circa 1935.

Measurements 

Decanter 30cm High x 17cm Wide x 11.5cm deep
Glasses 16cm High x 7.8cm Diameter

For further information on the set click here.

From our Tea Caddy collection, we are delighted to present this Georgian tortoiseshell and silver tea caddy dating to the reign of George III, circa 1810.

Of elegant oval form, the tea caddy is veneered in richly patterned tortoiseshell displaying warm amber and deep chestnut tones, framed by finely worked rippled silver mounts that provide both structure and visual contrast. The restrained decoration reflects the refined taste associated with high quality Georgian tea wares.

The interior is fitted with a silver faced compartment featuring a distinctive pie crust rim and retains its tortoiseshell floating lid surmounted by a silver ball finial. This traditional configuration was designed to preserve the freshness and value of loose tea, which during the early nineteenth century remained a prized household commodity.

Well executed examples combining tortoiseshell and silver are increasingly difficult to source, particularly in oval form. This caddy represents the level of craftsmanship expected of luxury domestic objects produced during the late Georgianperiod.

The Tea Caddy comes complete with working lock and key.

For further information on this Tea Caddy click here.

From our Accessories collection, we are pleased to offer this fantastic pair of French Bulldog Bookends dating to the late twentieth century, circa 1935 after the original by Hippolyte Moreau.

The bookends are formed with solid Nero Marquina marble bases, displaying a deep black ground with bold white veining characteristic of the stone. Each squared marble base is mounted with a chrome dog in the play bow pose.

The combination of polished marble and chrome gives the bookends a strong visual presence, typical of late twentieth century decorative design. Both functional and decorative, they are well suited to contemporary interiors.

For further information on this pair of Bookends please click here.

From our Decanter and Tantalus collection, we are pleased to offer this good quality crystal glass Lemonade Pitcher by Asprey London, dating to the Art Deco period circa 1930.

The pitcher of squat, well balanced form is cut with multi faceted sides and fitted with a generous pouring spout and strong handle, making it ideal for serving chilled drinks. The removable lid is held by tension and incorporates an integral strainer positioned over the spout, allowing ice or fruit to be retained when pouring.

The underside of the lid is stamped Asprey London and bears the patent number 13020, confirming its manufacture by the firm during the interwar period. A practical and well designed example of Art Deco table glass by one of London’s most respected luxury retailers.

For further information on this Asprey Pitcher please click here.